While this was happening, though, there was also a different crop of tried-and-true country diehards, like Steve Earle and George Strait, who would go on to inspire today’s alternative stars like Sturgill Simpson and Tyler Childers. This trend in country music began in the 80s. It foreshadowed where we are now, with the genre mingling with rock, pop, and rap without a second thought. It no longer mattered whether you were north or south of the Mason/Dixon line everyone knew “9 to 5.” Kenny Rogers’ collaboration with Dolly, “Island in the Stream,” blended pop choruses with the unmistakable twang of country music. Just 10 years later, stars such as Dolly Parton creeped the genre towards the mainstream, making country music a household genre across the country. It wasn’t always the most commercially viable music, but it did dictate the course of the genre. These dudes made poetic tunes about cowboys and federales and great railroad expansions. The 1970s in country music were all about the outlaws. Bauhaus – Dark Entries Echo and the Bunnymen – The Killing Moon Roxy Music – More Than This Kate Bush – Running Up That Hill (A Deal With God) Japan – Ghosts Talking Heads – This Must Be The Place (Naive Melody) Suzanne Vega – Tom’s Diner Talk Talk – The Rainbow The Talking Heads were on the poppier end of the spectrum with songs like “This Must Be The Place (Naive Melody),” with David Byrne turning his gaze on American consumerism with sugary sweet choruses that would have even the staunchest capitalists singing along. Velvet Underground laid the groundwork in the 70s, and artists like Talking Heads, Bauhaus, Roxy Music, and Talk Talk built a foundation still prevalent today. The art rock and post-punk artists spun out of this confusion of styles, creating an expansive vocabulary built around propulsive drum grooves, arch, snotty lyrics, and a revolutionary interplay between guitars and synths. Music in the 80s was moving in a number of loosely defined directions, thanks to the emergence of subgenres like new wave, punk, and the end of disco. ‘Crazy Little Thing Called Love’: Queen’s First American No.1.‘Escape (The Piña Colada Song)’: Rupert Holmes Ushers In The 1980s.‘Telstar’: Satellite Launch Mesmerizes Joe Meek And Tornados.The Roxanne track I’ve included on our Still MCR list is 1988s Go on Girl. I say that because a record label created other acts under the name The Real Roxanne, and later The Real Real Roxanne, to try to cash in on Roxanne Shante’s success, but that’s a whole other story. There’s no denying the impact of Roxanne and her contribution to Hip Hop.Ĭheck out the Roxanne Shante Women in Hip Hop podcast episode with Jazzie Belle, for some stories straight from the realest of the Roxannes. Her story is like all the Hip Hop pioneers at that time, she was there from early and put in work across the city in her early teens. When DJ Marley Marl spotted her and gave her The Big Beat to rhyme on, Roxanne freestyled on it fresh off the top of the head, one take, and the rest is history. Roxanne was known as a battle rapper, going from project to project, battling. The track was in response to UTFOs Roxanne Roxanne, and so began the Roxanne Wars. Roxanne started rapping aged 14 and recorded the iconic Roxanne’s Revenge in 1984. Where’s Roxanne Shante ? What about the Roxanne Wars!!? Now, if any real Hip Hop fans are reading I know you’re thinking. In 1981, their music was witnessed by mainstream America as they became the first ever Hip Hop group to perform on television when they were brought out by Fab Five Freddy’s mate Debbie Harry on Saturday Night Live. You could only hear your favourite rhymers on cassette tape or at a jam which was promoted through flyering, radio was yet to catch on to the phenomenon.Īt 17, she earnt her spot in the Funky 4+1. She began rapping as a kid in the Bronx, at a time when the city was going through a lot of social struggles, at park jams before Hip Hop was even established. Widely accepted as the first female rapper and known as Mother of the Mic, Sha Rock sees herself as the blueprint of female MCs. As a woman of Hip Hop, Sha Rock put rap out there as something women do too. The Funky 4 +1, of which Sha Rock was known as Miss Plus One More, was the first Hip Hop group with a female rapper to release records commercially. As you just heard, MC Sha Rock was a member of Funky 4 +1 and a talented MC who would inspire Run DMC’s delivery and ‘echo chamber’ style.
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